Based out of our London HQ we first learned of the festival eight weeks before the start date, and less than a week before we were to launch on the social channels. Your information, including Personal Data, is processed at the Company’s operating offices and in any other places where the parties involved in the processing are located. It means that this information may be transferred to — and maintained on — computers located outside of Your state, province, country or other governmental jurisdiction where the data protection laws may differ than those from Your jurisdiction. Usage Data is generally retained for a shorter period of time, except when this data is used to strengthen the security or to improve the functionality of Our Service, or We are legally obligated to retain this data for longer time periods. To provide Youwith news, special offers and general information about other goods, services and events which we offer that are similar to those that you have already purchased or enquired about unless You have opted not to receive such information. Youmeans the individual accessing or using the Service, or the company, or other legal entity on behalf of which such individual is accessing or using the Service, as applicable.
- Over the past two decades, Fact has established itself as a leading voice in the electronic music community.
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The rest of the band may be a bit of a revolving door, but being in the Cure isn’t really about darkness all of the time. “It’s an important step to now have a date for reopening live performances with social distancing in indoor venues, but there is still a long road ahead for musicians, performers and the sector as a whole. UK Music Acting CEO Tom Kiehl has welcomed Boris Johnson’s announcement that indoor live music performances can resume from August 1 with social distancing restrictions as “an important step”. In the run up we used a balance of feed posts and Instagram stories to build a picture of all things MDL Beast. During the event we live posted on our feeds and Stories throughout the three-day festival, posting a selection of real time content and highlights from each day. We also streamed a selection of DJ sets from the main stage onto fans YouTube feeds.
Turning “You” to “Us” Strategy Through the systematic CCS journey, Vans encouraged outsiders to join Vans’ music community. Along the way of engagement, this group could convert to Vans’ Halo Group and Express Creators (musicians & performers sponsored by Vans). In Musicians Wanted 2019, Vans was also taking advantage of user-generated content to promote the brand and campaign across channels to spread the brand’s message and get more people on board. Zak Group worked with Fact to develop a cohesive identity to be used across Fact’s print and digital outlets. The new Fact logo features extended letterforms and highly contrasting counterspaces fused into a single graphic element. The logo connects the futurist origins of pioneering audio technology from the 1960s and 70s with contemporary digital culture.
Adding Zacari to the mix adds a level of musicality that solidifies this track as one to remember. From the styling to synchronized dance moves, Blxst’s video will teleport you into the past with a futuristic twist. We created over 700 pieces of organic and paid content and posted on Facebook, Instagram, Twitter and YouTube channels over the course of the eight-week campaign as well as 100’s of pieces of influencer and headliner posts during all phases of the campaign. We spoke to Saudi nationals to help us understand their way of life, and what was and wasn’t acceptable within their culture to ensure launching this on social didn’t cause any disrespect.
HYPEBEAST UK Music Roundup Part 1
According to editor Sean Bidder “the new identity speaks to all our audiences, both the long-standing Fact reader and those interested in the new wave of artists at the intersection of electronic music and immersive experiences. Zak Group was the perfect match for this collaboration pancakemeow.com with their shared interests and strong background in the cultural landscape, connecting music, art, fashion and visual culture.” The commissioned content of the new magazine features contributions by a diverse community of writers, image makers and artists.
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It is the sound of the pair observing their own culture and asking questions they still may not have the answers to. ‘WGTT15000BPM F1 NEEEUM MIX’ is the result of that experiment and amounts to the fastest remix of all time — an appropriate claim for F1®, the pinnacle of motorsport. The partnership, managed by Globe, tasks The Chemical Brothers, famous the world over for pushing machines and technology to their limits via their music, to transform a brand-new track into the iconic sound of an F1 car roaring past at high speed. ‘We’ve Got To Try’, from the forthcoming new album ‘No Geography’, is broken down, re-engineered and accelerated to 15,000 beats per minute to reflect the 15,000 revs per minute that today’s hyper-complex F1 cars are capable of reaching. The Sixth issue, the ‘Rhapsody’ issue, centres around the fast paced and ever changing nature of music and art, with features on Public School, G-Dragon and END. Favourite Thom Browne, topped off with photo editorials from Our Legacy and Raf Simmons.